2016 Wilde Awards for Longer Books

published in the News and Observer and Charlotte Observer, 11/19/16

For 30 years Susie Wilde has been reviewing children’s books for various media (including her monthly column in this section), hosting workshops for teachers and would-be writers of children’s books, working with students in classrooms, libraries and community centers. For the past 20 years, she has presented her Wilde Awards, which recognizes the diversity of voice, characters and plots in 2016’s best picture books and novels. The list is a good place to start when you’re considering books as gifts this holiday season. Here is a sample of her suggestions.

Early novels


“Dogman,” Dav Pilkey (Graphix, ages 7-10): What would happen if the creators of “Captain Underpants” collaborated on a new series? Hilarity of word and illustration in a graphic novel that stars a canine crimefighter tracking a felonious feline.

Dog Man: From the Creator of Captain Underpants (Dog Man #1)

“Inspector Flytrap,” Tom Angleberger and Cece Bell (Amulet, ages 6-9): What could be zanier than a carnivorous plant detective and an assistant of an always-hungry goat assistant? Ridiculous humor peppered with wacky pictures.

Inspector Flytrap (Book #1)

“Sam the Man & the Chicken Plan,” Frances O’Roark Dowell (Atheneum, ages 6-9): Sam is an inventive character who lives in a warm family in a diverse neighborhood. Small realistic incidents are amusing, relatable, and will ready early readers ready for more in this new series.

Sam the Man & the Chicken Plan

“Waylon: One More Thing,”Sara Pennypacker (Hyperion, ages 6-9): Waylon is the “scienciest” fourth-grader. He’s also an empath who suffers as his middle school sister goes goth and his class divides into factions.

Waylon! One Awesome Thing

“Weekends with Max and Dad,” Linda Urban (HMH, ages 7-9): Max and his father adjust during the first three weekends they spend together after Max’s father has moved out. Imagination, humor and warmth dominate, but the author doesn’t shy away from the struggles.

Weekends with Max and His Dad

Returning heroes: Kate Dicamillo, “Where Are You Going, Baby Lincoln?” (Candlewick); Shannon Hale, “The Princess in Black Takes a Vacation” (Candlewick), Abby Hanlon, “Dory and the Real True Friend” (Puffin)

Middle Grade

“All Rise for the Honorable Perry T. Cook,” Leslie Connor (HarperCollins, ages 9-12): Perry is an 11-year-old whose unspoiled innocence comes from being tenderly raised in a co-ed correctional facility. When an insensitive ruthless district attorney gets Perry removed from his home, the irony is painful. As Perry’s mother burns with fury at legalities separating her from her son, Perry seeks the truth behind his mother’s imprisonment. The poignant story unites themes of truth, justice, family and home.

All Rise for the Honorable Perry T. Cook

“The Best Man,” Richard Peck (Dial, ages 9-12): 12-year-old Archer Magill bookends his story with two weddings. In between is strong storytelling that shows an eccentric family, three beloved male role models, and a boy who is a bit slow on the social uptake. Peck excels on pacing, refrains and the balance of humor, wit and stunning characterizations.

The Best Man

“The Inquisitor’s Tale,” Adam Gidwitz (Dutton, ages 9-12): Ten 13th century travelers meet at an inn and recount tales of three gifted young heroes- a peasant girl with visions, a Jewish boy and a strong young monk of African descent. The lively adventurous tale meshes humor and darkness, prejudices and beliefs, legend and truth in a structure reminiscent of the Canterbury Tales.

The Inquisitor's Tale: Or, The Three Magical Children and Their Holy Dog

“It Ain’t so Awful, Falafel,” Firoozeh Dumas (Clarion, ages 9-12): 11-year-old Zomorod (Cindy) Yousefzadeh negotiate the disparities of her Persian home and the 1978 California culture in which she lives. Racism and insensitivity remain subtle until Khomeini takes American hostages. History, humor and heartache combine seamlessly.

It Ain't So Awful, Falafel

“Ms. Bixby’s Last Day,” John David Anderson (HarperCollins, ages 8-11): This light read strengthens and deepens as three sixth-graders leave frivolity behind to honor their teacher, Ms. Bixby, who must start cancer treatment. Amid humor and adventure, the boys’ situations and collaborative power become clear as does the reason for their devotion to this life-changing teacher.

Ms. Bixby's Last Day

“Pax,” Sara Pennypacker (HarperCollins, ages 8-12): Peter’s pet fox is Pax and boy and animal are inseparable until war comes and Peter must live with his grandfather and set the fox free. Alternating chapters recount their parallel journeys to selfhood. This haunting story emphasize themes of war, sacrifice and survival, and lead the protagonists into their fullness.


“Raymie Nightingale,” Kate DiCamillo (Candlewick, ages 10-12): 10-year-old Raymie becomes part of the “three rancheros” who are competing for the title of Little Miss Central Florida. DiCamillo again excels at quirky, colorful characters and the mix of harsh truths and magical realism.

Raymie Nightingale

“Unbound: A Novel in Verse,” Anne E. Burg (Scholastic, ages 9-12): Heartbreakingly beautiful versified voice reveals the intelligence of Grace who, promises to “keep her eyes down” and mouth shut when she’s taken to the Big House. Learning her mother and brothers will be taken to auction means beginning a new life in the Great Dismal Swamp.

Unbound: A Novel in Verse

“When Mischief Came to Town,” Katrina Nannestad (HMH, ages 8-11): Rascally Inge Maria arrives on the quiet island of Bornholm in Denmark in 1911 to live with her strict grandmother and wreaks havoc while fighting gender stereotypes and winning the hearts of the island’s inhabitants. The book has a lovely old-fashioned feel and strong, deep undertones.

When Mischief Came to Town

“The Wild Robot,” Peter Brown (Little Brown, ages 8-10): The fantastical blossoms in the natural world when a robot, ROZZUM unit 7134 (Roz), crashes on a small island. First seen as a monster to the animal inhabitants, Roz becomes a friend. Strong themes of adaptation and survival of fittest are handled with a light touch. Be prepared for a tearful ending.

The Wild Robot

“Wolf Hollow,” Lauren Wolk (Dutton, ages 9-12): 11-year-old Annabelle. Annabelle lives on a quiet Pennsylvania farm with loving parents until she faces the menace of bully Betty Glengarry. Simultaneously, World War II prejudices transform her peaceful town into one that is suspicious and ugly. When the town’s cruelty turns on a homeless, kindly World War I veteran, Annabelle’s innocence fades and she’s determined to make a stand.

Wolf Hollow

YA novels

“Anna and the Swallow Man,” Gavriel Savit (Knopf, ages 13 and up): Seven-year-old Anna’s father, a linguistic professor, never returns from a meeting with the Nazis who are swarming Krakow. Days pass before Anna, left alone, meets an enigmatic stranger who know as many languages as she, more perhaps, for he seems to speak swallow. The Swallow Man leads Anna on a meandering journey through Poland teaching rules of survival in a country overrun by wolves (Nazis) and bears (Russians). Savit’s lyrical language and thought-provoking writing contrast with the stark setting. His convincing characters are startlingly real in a haunting book with a mysterious, metaphoric, mythic tone.

Anna and the Swallow Man

“Beware That Girl”, Teresa Toten (Delacorte, ages 13 and up): Kate O’Brien, a scholarship senior at a wealthy Manhattan school, will do anything to get to Harvard, including being friends with popular, wealthy Olivia Sumner, who seems more a mark than BFF. Complexity builds when a gorgeous new school administrator seeks an alliance with each of the girls for unclear reasons. Twists and turns abound in this fast-moving psychological thriller.

Beware That Girl

“Burn Baby Burn,” Meg Medina (Candlewick, ages 13 and up): 17-year-old Nora Lopez’s home has communication problems. Her mother speaks little English and doesn’t discipline Nora’s abusive brother Hector.Frustrations and worries escalate in the tensions of 1977’s blackouts, lootings and the Son of Sam murders. Overly responsible Nora come to terms with independence, love, and keeping family secrets.